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Ken Hultgren. THE ART OF. ANIMAL DRAWING. Construction, Action Analysis Preface. Tips on Drawing Animals. Mood and Feeling. The Use of Line. Ken Hultgren THE ART OF ANIMAL DRAWING Construction, Action Anaiysis, Caricature Wirh usrraliolls CONTENTS Pr. face Ti", on Drowing ""imob. The Art of Animal Drawing - Ken Hultgren. Uploaded by. Breana Melvin. Burne Hogarth - Dynamic Wrinkles and Drapery. Uploaded by. Mirthyn. burne hogarth.
Format: pdf Book Description: This thoughtful and incisive guidebook, written by a former animator for Walt Disney Studios, will help artists at many skill levels improve their ability to draw a wide variety of animal forms both realistically and as caricatures. You ll learn why the author considers construction, action analysis, and caricature all-important for a clear understanding of animal anatomy and movement. Assessing the Precautionary Principle by Soule, Edward, making it suitable for self-contained graduate courses or seminars on pervasive data management or distributed systems. Although there has been much debate within the ombudsman community in recent years aimed at developing and improving the practice of ombudsmanry, free ebook torrent download, North Carolina , Raleigh - USA, The Routledge Companion to Critical Management Studies captures this intellectual ferment and new spirit of inquiry within CMS, and showcases the pluralistic generation of CMS scholars that has emerged in recent years. Readers will appreciate the details about family, friends, youll come away from this course with the inspiration and knowledge to create a business thats just dynamic as what you imagined!
For sketching purposes, you can think of it os simply or this. Nole sockoh for logs. L in a hona'r head, rnnca hen ore so many planes to consider. Once you ore fornillor with the. Thinking of the head in two sections may help you.
Your eve is o p r e m good judge. As a proctics srsrc8se. Then reverse your Dote by hovino the horse pull aoainrt the lood, backvmrds Rmahl mor leg and Ish brelsg pushing N o k dip of roar 0s legs pull through. For show purposes, h e lags ore feathered out.
TW to coplure tho! Concentrate on bazic first, and then work to the minor ones When doing this, sketch in your lines. Note larger stripes on reor. O n the colt. I exaggerated tho length of the legs, the shortness of the body, and the high crown ond small muzzle.
The teeth hove it in this one. Hones' teeth do protrude a t nearly o 45'. They ore quite knock-kneed at an eorly oge Like morl young oni.
I in mmp. The iow ir broad Obsens h e poralld between the common domestic cot and the wild pvmo ype.
For the feeling ot rhythm, weom your forms toeether. On a n adulf I? Obsene the shihing of hindquartan quortan gathe, bendoh him. Body in push-off. Note strong line Forelegs orch up, prsporing lo lond. I Right forelea toke, weight in Imndins Rlghf hind Thi3 Left foreloo stretches for ground. I use a wet brush, ". The chin whiskers ore exoger- roted, a n d the tip of tho toll IS full to obtain o flare effect.
Iiks draw- ing 01 the top ,ugs. Unlike most onimolr, the onale of the eye ir different from lhot of the mouth. The eyer ore wide-set, ond protrude from the heod, somewhat lake those of the giraffe. The hump is not attached to.
The sketch below shews how fot hones over h e body. The nose is looser, the eon are more erect. From the bock the wort hog closely resembles the common pig. Jowls ond all-oround basfinass ors good points of exaggemt,on, 03 well 03 m o l l srss ond heavy, floppy son.
On the psg below urns of chs5t ond how hmod is buried the "orrow ,houlde,, ornphal,. Contrast esablishas types more definimly. They ore flexible in body. The eorr ore low to give o heavy effect Bulldog Sheep Dog Exoggsrotsd heoviners of chest, short, Eioggeroted woolliners. Ths toil wo, stockv bowlegr, ond marrive iaw.
FOXES s In the above sketch poinh of siag- esration ore: small, pointed nose, slender lags, small feet, pointed. The body is short and rmoll. The toil is long ond pointad and quite full at. The toil is very imporlonf l o tnngorool, rlnce thel use it or a rud- der ond la help suppan their welght Becourc of its prominence. But studying motion-picture frome, reveols thot lhey are copoble of reolly spreading out. Bunnies ore olwoys fun to draw.
It is well to use a dry brush for sohnerr. Jump Not. It is etpeciolly interetlinp to work wjth their jowls ond The bvcktasth add to the comic dfect, ond their eors can be used in various woyr for expression.
The ooorooch. O n actson drawings below, how ,he h;,d Idos and trunk ore I. I oppored the position of the heod to tho, o f the lhe of movement of the body Note pull of loose skin beheen head ond chert in the drarlng or lover lek. To create ,comic effects, I. The upper dmwing Ir in. I congruous because of the u5a of long legs ond large feet. In the lower drawing, ths emphmlir is on ths huge bodl and Ions trunk. A numbor of 0th.. The Trojan mane occents the thick neck of the droh horse.
Ienderized hi. IQ accentuate the fullness of the hoofs. The bone structure is very prominent in the legs. Its neck is thicker, the muscles ore The cntlers vory in size and number of prongs, in accordance with the age cnd type of deer.
They furnish a nice decorative occent to the drawing. A few lines can 5uggesl many farms. II is helpful. It is this spring in leaps. It not only unifies yOU; drawing but gives it movement on groce os well. Baby puma, spoiled when young. Nole how. LION fl On an adult lion, il also grows lome dislonn bock on the undenide.
RighI foreleg lak. Righi hind leg slrelches in Igndino. This left foreleg stretches lor ground. See that your forms relate to each other. The lines are shaded in, following the contours of the forms. He hOi be: The open mouth 01 the left gives 0 comic effect. Note prominent spinol column. Bone structure is very prominent throughout the body. By The emphasis he. I e effeci. The leng;he o,ip of Ihe foil exaggerated, and II mode very full 10 serve as on accent. The upper lip is split, and the eyes protrude lomewhot Irom The ,ide 01 the heod.
The hindquorter settion is set low, in tontroil to the high withers. T I me, his most unusual feolure is the very small oreo on which the hindquarters ore set. Unlike most animols, the angle of the eye is different from tho I 01 the mouth. The eyes are wide -set, and protrude from the head, somewhot like those of the giraffe. I emphasize the following points, very small pelvic region where hind legs aNoch to body, long lower lip, hump accentuated by making it wider at top.
Mou;ve and barrel. The points which I believe give this drawing a silly appearance or8: To convey the feeling of formidable powe r to this "menace" type, t hove' exaggerated his powerful. The head is buried right in the body, and the size of the mouth is exoggerated. The smoll crown helps to accentuate, by controst, the mossive- ness of the body.
Note the breaks on the bock. I use this division for all animo Is. The piglet's high forehead glV8S him cuteness.
Keep the body relatively short. The nose is longer; the eors ore more erect, end do nol hong like the domestic pig's. There is hair running from the fore- head olmost 10 the middle of the bock.
From the bock the wort hog closely resembles the common pig. On the dowager type above, the top of the head is smoll so thol the curls In "menau" wort hog type, not. On the pig betow ume of chest and how head is buried the norrow shoulders emphasize, by right in the chest. In caricature, mok. Controst establish. Below ore two simplified slcelelons for! They are kepI the some lIlIIe. Keep in mind the chorocler of the dog - for a.
Nole the bowlegs.
They are extremely flexible in body. When you hove several together, work lor opposite types. This will make each one Jlo? Dachshund Bloodhound Exaggerated length of body, long EJl: The eOfS ore low 10 give 0 heavy eHec!.
Bulldog Sheep Dog Exaggerated heavinen of chell, short, Exaggerated woolliness. The tail wos stocky bowlegs, and mossive iow. Rared for occent. The spiked collar helps in this cose to establish the chorocler of the dog.
Here I have illustrated both the more con- ventional and the humanized typn In the above sketch points of exag - geration are: For cuteness I emphasize the large head with the eyes set low, giving more forehead.
The body is short and small, thus further exaggerating the size of the head. Head and ears ore similar to those of the deer. Use this. When spotting your darks, ploy your lights agoinst the darb. Bunnies are always fun to drow.
It is well to use a dry brush for sohness. It is especially interesting to work with their jowls and muzzles. The buckteeth odd 10 the comic effect, and their ears can be used in various ways for expression. Hong Ihe ears for sodneu; stretch them bock in a surprise toke, etc. Fa"'te""' keep ,au,d a,d lull.
There is a very prominent On underside af trunk, nale Aatness a nd haw it is divided. The opprooch: Finish off.
JU I bCl;uuu: Various shopes for voriouJ type'. For standing positions, think of the three units which I have indicated below. The high point of the withers breoks the flow of form between the neck and ,he bock. Observe the use of diogonal and curved lines in this ske tch. CUBS Cubs ore small in muzzle and high in crown, which gives them a high fore. Their bodies are short, and mey ere slIgtllly plgeon -Ioed hke lhelr parents.
Keeping Ih. For cuteness in small bears keep Ihe body short and dumpy, Ihe forehead high, eyes low, cheek and stomach full, and Ihe moulh shorl and smoll. In the I. Except in abstract compositions, it is new, I should like to summarize some the use of curved lines is nalural throughout fundomenrol painlS.
A good picture 5hould be the picture. There should be opposi. An otcenl tion, such as a verTical opposing 0 horiz. The problem in th is elephant picture was how to stage it most effectively. Believing that on underneath shot would give the desired dramatic effect, t first concerned myself with a satisfactory pose, in which the observer would be looking up. Then I worked oullhe rest of the picture so os to in tensify thot effect.
Note the lines of composition. The girl's hair is used as an accent. The grooves in the earth give movement to the picture.